Voysey Two-Heart Chair – FineWoodworking

Synopsis: This two-heart Arts and Crafts chair is based on an 1898 design by English architect C.F.A. Voysey. As Nancy Hiller described it, “it blends the guilelessness of the symbolic heart with finials so long and sharp that they seem almost menacing.” The joinery for the legs, rails, and back splat is mortise-and-tenon. There are shaped curves on the crest rail, back splat, and front seat rail. The legs are shaped and tapered.

If you’re familiar with the work of English architect C.F.A. Voysey (1857–1941), one of the most widely respected designers of the Arts and Crafts movement, you’re probably aware of his reputation for treating subjects drawn from nature, farm life, and mythology with a mix of mischievousness and affection.

The two-heart chair, based off his 1898 design, offers a good example. It blends the guilelessness of the symbolic heart with finials so long and sharp that they seem almost menacing.

Stretcher, rail, and back-splat mortises in the legs

While you’ll cut the mortises on all the legs early in the process, the front legs get shaped a little later. However, you start to shape the back legs before you cut the mortises. Lay the back leg side template onto each blank in turn and trace the shape of the side. Cut out the shape on a bandsaw.

cutting leg on bandsaw and cleaning with handplane
Shape the side. Use a template to trace the shape onto the leg blank, then cut it out on the bandsaw. Clean up the sawmarks on the front face of the lower section of the leg with a handplane.

Lay out the mortises for the seat rails and stretchers. Chop the mortises for the seat rails first. Next, adjust the fence to chop the stretcher mortises, which will be centered in the thickness of the legs, not flush with the outside (or inside) faces. With the basic seat and stretcher mortises chopped, trace the rake of the back legs’ outer faces onto each one but don’t cut it out yet. Having those marks will help you locate the mortises for the back splat system, which you should lay out at this time

cutting mortises in the chair
Mortises galore. Hiller cuts all the mortises in the chair on the hollow-chisel mortiser. She begins with the mortises for the seat rails because they all use the same setting. Then she moves the fence and chops the stretcher mortises. Finally, she chops the mortises for the back splats.

For the back-splat mortises, start with those in the legs. Set one of the back legs on the mortiser bed with its outside face downward. Adjust the depth of cut of the mortise, and then adjust the fence for the placement of the mortise on the face and parallel to the front rake of the leg. Because the crest rail and lower back splat rail are just 5/8 in. thick, each tenon will have a front shoulder only. Finally, for the lower back-splat rail, adjust the fence of your mortiser so that the mortise will create the 3/32-in. shadowline that’s a distinctive detail in the original chair.

cutting the taper in the led on the bandsaw
Taper the top of the rear leg. With all the mortises in the legs cut, trace the shape of the taper onto the leg and cut it out on the bandsaw.

Move on to the mortises in the crest and lower back-splat rails. To lay these out, mark the center of each rail’s length and use the splat template to lay out the mortises, which should be centered.

Cut the tenons

You can cut all the tenons on the tablesaw with a dado set and sliding fence set at 90°. Remember to adjust the tenon length settings for the different parts. You can cut the top and bottom shoulders on the tablesaw, though I prefer to do this by hand.

To determine the position of the shoulder for the lower back-splat tenon, I cut the top tenon first, then laid the splat blank onto a leg so I could transfer the lower shoulder position directly. Note that there is scarcely a shoulder at all, because the material is so thin—just enough to hide the edge of the mortise. I start the cut on the tablesaw, then switch to a shoulder plane to finesse the fit.

Rabbet the seat rails

Rabbet the top inside edge of the front and side seat rails on the tablesaw to accept the seat insert. Note that there is no rabbet on the back seat rail. At this point, assemble the chair dry and adjust the fit of joints as necessary.

Photos: Anissa Kapsales

Voysey Two-Heart Chair spread image

From Fine Woodworking #301

To view the entire article, please click the View PDF button below.





A rogue Arts and Crafts finish

This rich, dark-brown finish is the one often found when you see this Arts and Crafts chair in collections.

Oak Chest on Stand

Design details evoke vintage English Arts and Crafts

David Berman in his shop

David Berman: Masterful Paper Reproduction

The paper Nancy Hiller used in her wall cabinet is a period reproduction of a wallpaper created by C.F.A. Voysey. We go inside David Berman’s studio to watch what goes into a faithful reproduction of this classic wallpaper.

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